By Janet Somerville
Tuesday night four fabulous women novelists appeared in a round table conversation in the Brigantine Room to discuss the Novel as Window on Society as it related to their most recent books. Simonetta Agnello Hornby, Emily St. John Mandel, Emily Schultz and Linda Spalding revealed their singular intelligence and commitment to their craft throughout the discussion moderated by David Layton.
Hornby, whose most recent novel is The Nun, began with the caveat “I have no faith, so it was difficult for me to become a nun.” In terms of offering her readers a way of engaging with her protagonist she suggested that “change could happen within yourself from reading. There’s the power of literature. And, change came for this 19th century nun through the books she is gifted from an admirer.”
Mandel’s noir, The Lola Quartet, grounded in the recent financial collapse, is “about a disgraced journalist who flames out spectacularly in New York City and ends up selling foreclosed real estate in Florida for his sister.” Commenting on the menacing burmese pythons that slither through the Florida wetlands in her narrative, Mandel said she realized they served as a metaphor for “creeping civilization and the idea of borders: the way the world should be versus the way it is.”
Schultz’s dystopian satire, The Blondes, found its genesis in a Gucci ad in Vanity Fair in which four blonde women in safari wear, their eyes heavily lined, “looked like vampires that were going to ravage you and not in a good way.” And, although there is plenty of gore, it is a socially conscious novel, informed by the paranoia and panic created in the days, weeks and months surrounding the SARS and avian flu epidemics.
Spalding’s historical fiction, The Purchase—shortlisted for the Governor General’s Award and the Rogers Writers’ Trust Fiction Prize—is the most personal of the four, inspired as it is by a relative who was a Quaker who happened to be a slaveowner, a shocking revelation about which she became obsessed since “the Quakers were the great abolitionists of the 18th century.” What could possibly have made that great great grandfather abandon society and “regressively become something almost feral?”
About getting to the chair and writing each offered the following advice: Hornby insisted, “You must want to do it. Respect for the reader has got to be fundamental.” Mandel said, “Do the work. Put the hours in.” Schultz suggested that each subsequent manuscript she hoped “was like a lover, each new one better than the last.” Spalding concluded, “If you keep challenging yourself, it shouldn’t get easier.”
Wise words, indeed.