We asked David Bradford five questions about writing as we gear up for the launch of The Unpublished City collection on June 22.
IFOA: Why do you write?
David Bradford: I think Elizabeth Gilbert once said she writes because otherwise, she’d chew her own arm off; or something like that. There’s too much in here, and I need to channel it through something kind of healthy and writing has worked out in that regard.
But beyond that, my writing comes from the same urge behind most repetitions (mine anyway): to convince that the way I think is real.
IFOA: What are some of the themes that you explore in your writing? Why
Bradford: I really value just doing the day in, day out practice thing, and I’m happiest just following my more reflexive readings within it.
However, my work often deals in the fleshiness of words invested in what I think of as a non-linguistic end (i.e., making any sense of things), and the faith built into and out of that. That is, some things cannot be known, or explained. But then we all put words to them anyway. Words are slippery from the get-go, but we still go about trying to be known by them.
If there’s a place I return to, it’s the life that comes out of performing, that largely unresolvable discrepancy; the frontispiece liminality of any practice, to me, worth its salt. Within that scope, themes I return to include complications of identities, partnerships and totalizing cultural spaces.
IFOA: What are some of the genre you explore in your work?
Bradford: I primarily write poetry, but I’ve also grown into playing with lyrical essay and new narrative elements in my work. For instance, an upcoming chapbook of mine with Blank Cheque Press is a winding, gushing monograph about novelist Nell Zink.
IFOA: Who is your favourite author, poet or writer?
Bradford: My favourite poet as a reader right now: Allison Titus. My favourite poet as a poet: maybe Mary Ruefle or Fred Moten.
IFOA: What inspires you?
Bradford: I’m currently working on finishing up a shape-shifty poetry manuscript concerned with what the various strategies for making sense of the world via something as contrary to it as poetry may look like. It’s something like my attempt at a personal ontology of uncertainties. It deals in trauma, totalities of knowledge, community, and sex. It’s all over the place.
David Bradford is an MFA candidate at the University of Guelph and leads the Slo-Po group reading series. His work has appeared in a variety of places, including Lemon Hound and Prairie Fire, and his latest chapbook, Call Out (Knife|Fork|Book), is forthcoming in 2017.
Bradford is one of the authors featured in The Unpublished City: a collection of works by Toronto’s emerging literary talents. IFOA and BookThug invite you to the collection’s release on June 22 at 7:30 PM as part of the Toronto Lit Up book launch series.
For more information, click here!